Catherine Ryan Hyde
Lake Union Publishing
With over thirty books, Catherine Ryan Hyde’s fan base is deep. There are probably few who don’t remember the movie Pay It Forward which is based on her book by the same title; her novel Take Me With You is a favorite of mine. Hyde is a story-teller, plain and simple–her novels may not be high art, but the stories are compelling. Heaven Adjacent is no different.
Manhattan lawyer Roseanna Chaldecott has walked away from everything: her established law firm, apartment in the city, friends, and family. With the clothes on her back and a few things thrown in the back of her Maserati, she heads for the hills (literally) and runs out of gas next to a piece of property with a FOR SALE sign posted in the yard. The house (if you can call it that) is barely two rooms, unheated save for a wood stove. There’s an even smaller out-building and an unoccupied barn. Perfect for someone who wants to escape from the stress of modern life–for someone who wants quiet. Peace. Freedom. And little, if any, human interaction.
Except that’s hardly how it played out for Roseanna.
Before she knew it, Roseanna has a young veteran camping in the woods by the creek, a mother and her five-year-old daughter squatting in the out-building, and an elderly man living on her Adirondack retreat. Her estranged son shows up on her doorstep. Add a dog and an old horse and you see how things weren’t going as she planned.
Roseanna fled New York broken-hearted and shaken: her best friend and law partner Alice died of a massive stroke at fifty-three. Alice, like Roseanna, was working full tilt, waiting for the day she could retire. And then … gone. The work? The sacrifice? All for nothing. Roseanna becomes an evangelist, of sorts, nudging others to ask themselves: am I really happy? As you can imagine, that peace and quiet suddenly becomes less and less important, and Roseanna’s relationships with Nelson and Patty and Willa and Martin and Lance become what she was seeking all along.
I had only one reservation. Hyde seems, at times, to use Roseanna as her own mouthpiece, and it comes off a bit didactic, even though fitting with the story. I want my characters to be human beings in their own right, not the writer’s proxy. But because I loved the story, I could forgive that flaw.