A Piece of the World
Christina Baker Kline
Christina Baker Kline’s Orphan Train made me curious to read more about the orphans shipped cross-country at the turn-of-the-century. So when I read about her latest novel A Piece of the World and it’s subject–the painting Christina’s World by Andrew Wyeth–I immediately put the book on my wishlist.
And summer seemed like the perfect time to check it off.
My appreciation of Andrew Wyeth came in a round-about way. Like everyone else I was intrigued by the news of the Helga paintings discovered in 1986, and was surprised to find a second of the book The Helga Pictures at the bookstore where I worked. Then, on a trip to Washington D.C. a year later, I was able to view the collection at the National Gallery–without even knowing the work was on tour when I planned the trip. What an incredible story: over 300 never-known works by a famous artist, the intimacy of the pictures, curiosity about the relationship between artist and subject.
A Piece of the World sparked in me the same curiosity about Christina Olson, the subject of Wyeth’s famous Christina’s World.
Christina Olson grew up in a farmhouse on the coast of Maine. Her parents were stern, but loving, and worked themselves (and their children) hard to make ends meet. Always a clumsy child, Christina’s physical condition gradually deteriorated until she had difficulty walking. By the time she was in school, Christina fashioned cotton pads for her elbows and knees, so she wouldn’t suffer cuts and scrapes. Even though her parents were willing to spend precious savings so that a specialist could diagnose her condition, Christina refused, hiding from her father when they arrived at the doctor’s office. Christina wanted to be loved for who she was, clumsy falls and all.
That stubborn determination was Christina’s constant ally–and ever-present enemy. It was that determination that allowed Christina to run the farmhouse as her parents aged and fall in love with a summer visitor. She attended dances with young people at the town hall, and fished with her brothers off the coast. And it was one of the qualities that painter Andy Wyeth admired so much in her. Wyeth himself suffered from a limp, and this might have been what allowed Christina to be open to their friendship. But Christina was also set in her ways and held on to hurts and perceived insults. She was a difficult woman if one was not one her good side.
Kline alternates between Christina’s back story and the thirty year long friendship that developed with Wyeth as he painted on the Olson property each summer. And like my fascination with the Helga pictures, I became curious about Wyeth all over again. (I must say that the internet made research a little easier this time around!) Michael Palin produced an episode about Wyeth for his BBC series titled Michael Palin In Wyeth’s World and I was able to find it on YouTube. The episode gave some great insight into Wyeth, but Palin interviewed the real Helga–and believe-you-me, the fantasy is much more satisfying that the reality.
If you like historical fiction or have always admired Wyeth’s painting, I can’t see how A Piece of the World would fail to please.